Hollywood gets on kicks all the time. In 1997, we had the Year of the Volcano (Volcano, Dante’s Peak), followed in 1998 by the Year of the Meteor (Armageddon, Deep Impact), which was also the Year of the Animated Insect (A Bug’s Life, Antz) on the Chinese movie calendar.
It looks like 2013 will be the Year of the Macho Series Character. Jack Reacher, the first adaptation of one of Lee Child’s bestselling novels about the title character, hits theaters at the tail end of 2012 (December 21st), and will likely still be in theaters when Parker, based on the series of 24 novels by Richard Stark (AKA Donald Westlake), drops on January 25th.
Neither film comes without grumbling from hardcore fans of the series they are based on. The literary Jack Reacher is 6’5″ and begins the series considerably younger than the 5’7″ actor who is portraying him, the 49 year old Tom Cruise. Master thief Parker looks quite a bit different than Jason Statham, who is cast in the role, but the objections from fans largely come from the fact that they consider Parker quintessentially American (Statham is British and will not be hiding his accent), and the softening of this toughest of tough guys for a general audience.
The tough-guy trend will continue if these films are hits. Already in production and also controversially cast is Travis McGee, starring Leonardo DiCaprio as the title “salvage consultant,” from a series of 21 color-coded novels by John D. MacDonald that began with 1964’s The Deep Blue Good-by.
Warner Brothers has just acquired the rights to Mickey Spillane’s huge-selling Mike Hammer series about the hard-boiled private eye. Hammer has been a hit before, on radio, film, and most famously by Stacy Keach on television, but you can bet that Warner will be watching the box office from Jack Reacher and Parker closely regardless.
Rumored in development for years is an adaptation of Donald Hamilton’s Matt Helm series, done previously as a ’60s spy spoof with Dean Martin and as a short-lived television series starring Anthony Franciosa. If Jack Reacher, Parker, and Travis McGee hit, expect a quick move out of development hell. (The Matt Helm novels are being reprinted by Titan Books starting February 22nd).
Another possible project is a new adaptation of the long-running Destroyer series created by Warren Murphy and Richard Sapir. The recently revived series of novels has run for over forty years and over 150 volumes. It was previously adapted to film as Remo Williams: The Adventure Begins, followed by a TV pilot that was not picked up for a series. While the saga of the white martial arts assassin Remo and his Korean master Chiun is somewhat different from the more grounded series discussed above, it should appeal to the same audience. Expect interest in this property to increase if the box office on Parker and Jack Reacher is solid.
It’s quite possible that the Year of the Macho Series Character could turn into the Decade of the Macho Series Character.
[Sorry if the style of this post was jarring to you regulars. I thought it would be fun to try to write like an entertainment-beat journalist. I don’t think I quite nailed it, but I think I came close!]
Warning: Declaration of Social_Walker_Comment::start_lvl(&$output, $depth, $args) should be compatible with Walker_Comment::start_lvl(&$output, $depth = 0, $args = Array) in /home/violentw/www/www/wp-content/plugins/social/lib/social/walker/comment.php on line 18
Warning: Declaration of Social_Walker_Comment::end_lvl(&$output, $depth, $args) should be compatible with Walker_Comment::end_lvl(&$output, $depth = 0, $args = Array) in /home/violentw/www/www/wp-content/plugins/social/lib/social/walker/comment.php on line 42
Reading this, I was wondering if you’d become possessed by the spirit of some dead hack who worked for Variety twenty years ago, Trent.;-) lol
I may see Reacher purely as a goof. I’m sorry, I can’t take that film seriously. I can hardly take the actual books seriously, let alone a 5’6″ Cruise playing Reacher. That makes about as much sense as Justin Bieber playing Parker.
The McGee adaptation looks doubtful as of now. DiCaprio has like 12 films he’s committed to shoot before McGee. And even if he gets around to it I am dubious–the script starts off with Trav on a surfboard, because anyone who’s read a McGee novel knows he LOVES to surf. (In 21 novels he has surfed or mentioned having surfed zero times.)
I’m more optimistic about Parker than any of the others.
Glad I threw you off-kilter there! Rest assured, this isn’t my permanent new style. But I am looking for freelance gigs at the moment, so if Variety or Deadline come across this post and want to hire a new hack, they are welcome to hit me up!
The problem with Hollywood today is that there aren’t any real good tough guy actors. Every actor today has to be some pretty boy. Now not every actor has to look like the character. Humphrey Bogart looks nothing like Sam Spade, for example. But they ought to at least be able portray a quality of the character.
For what’s it worth, Statham at least can portray tough. It’s just he’s just short and British, when Parker is tall and American.
Statham: Nasty, British, and short.
Sorry, couldn’t resist.
http://www.phrases.org.uk/meanings/254050.html
The Cruise/Reacher and DiCaprio/McGee combos are another case of Hollywood trying to put square pegs in round holes. And to Matthew’s point, these are two actors more known for being cute and lovable rather than rangy and nasty. The casting of Statham as Parker isn’t all that suprising; for a while now Hollywood has been handing off tough guy roles to Brits and Aussies, and giving the pretty boy roles to American actors. I actually just did a piece on this phenomenon just last week. And it’s here:
http://www.jettisoncocoon.com/2012/10/where-are-all-american-actors.html
Directly addressing Cary but also Matthew:
A thought-provoking piece. I’ve been bitching about this on a micro-scale for years: Where are American men in ball-busting action movies about American men? There are a couple left (Clint Eastwood, Bruce Willis), but they aren’t exactly spring chickens.
I admire (acting only) Russell Crowe, Mel Gibson, and Liam Neeson, and I’ve got no problems with them playing parts in any films that they’re in. May the best man win the part. But why don’t we have any homegrown talent even capable of trying out for the action roles?
It’s the Hollywood culture, I think. They like pretty boys right now, and would almost certainly not accept a young Eastwood, or even a Willis, today. It’s all metrosexual all the time when the aspiring actor is young. So when we need a tough guy for an older part, we have to import him.
I have hopes that the democratization of movie-making thanks to the current technological era will change this. Getting back to my own piece: Leonardo is Travis McGee? Tom Cruise is a brilliant actor who can sell it, but he’s Jack Reacher? Why don’t we have someone younger, capable of acting, and capable of looking like I’m 6′ 5″ and you don’t want to fuck with this guy, who could play that part?
The talent is out there. I wish Hollywood would start looking a little harder for it.
Trent: Gibson was born in New York so technically isn’t he an American?
Sure, but that’s nitpicking that distracts from my larger point.
They dubbed the original American release of Mad Max to get rid of his Australian accent. Mel didn’t come up in the Hollywood system which is, for a long time now, not producing male leads with more than one testicle. There’s Vin Diesel, doing just fine financially I’m sure (and a nice guy–I’ve met him) but not exactly burning up the box office. After that?
Reflecting Casy’s post, why isn’t Hollywood developing local (and local means 300+ million people) talent for roles that require masculinity? My problem is not with the actors playing the roles. Not that they have to make the choice to cast an American in the role in a healthy competition for a juicy part, but I’m asking why there isn’t there an American who can be in competition for the role? Why can’t we point to anyone under fifty (or in Tom Cruise’s case, 49) who is American and say, “Action movie star!”
Lee Marvin, Steve McQueen, Charles Bronson, and Clint Eastwood wouldn’t have a prayer in the current Hollywood environment. I doubt Sylvester Stallone or Bruce Willis would either.
Casy’s right. The current farm system sucks. Will the next attempt at an action franchise star Shia LeBouf?
Independent filmmakers in Louisiana are more likely to give us a credible American action star than Hollywood is.
Is not the American male at large less masculine and assertive than, say, the male of even only 30 years ago, let alone the 50’s and 60’s, which were the decades that produced Eastwood, Marvin and Bronson’s first films?
Take a look around you and takes notes. Do the males of today remind you very much of your fathers/grandfathers generations? Some maybe, but I’d guess the majority seem much softer, weaker and prone to bitch and whine about any little thing. To say nothing of the dye-jobs/highlights, earrings, waxed chests/legs/arms/privates, sickly-sweet Cologne, pedicured and manicured toes and fingers, artificial tans, hair-extensions, facials, etc.
Then take a look at the women you see around you. Do they remind you very much of women of your mom or grandmother’s generation?
And hey, I’m not making value judgements here; not saying it’s a good or bad thing–just commenting on a societal drift that may help provide an answer as to why America is producing such few candidates for viral, strong action roles.
Your post is far too somber and devoid of alliteration and cutesy abbreviations ever to be mistaken for entertainment journalism.
How about tough-guys, of any nationality, who can act? An astute commentator on the movie version of Ken Bruen’s novel Blitz wondered if tha tmovie would set a pattern of surrounding a tough guy lead with real actors. That film offered Statham in the lede role surrounded by the brilliant Paddy Considine and Aidan Gillen. At best, Statham is a tough guy who can act a little; those other guys are real actors.
=======================================
Detectives Beyond Borders
“Because Murder Is More Fun Away From Home”
http://detectivesbeyondborders.blogspot.com
To your point, Peter: a lot of fans have stated that Daniel Craig is the first real “actor’s actor” to play Bond. It seems an almost novel idea–an action film where the lead is a “real” actor. After Craig we saw Liam Neeson make a huge career comeback with his recent action films. He wasn’t really known as that kind of actor before. He was more of a drama/stage “type”. Again, I’m really repeating other’s observations. I’m sure some people would think these comments smack of actor snobbishness, as if the previous Bonds weren’t good actors.
I happen to believe, for the most part, the previous Bonds were more “stars” than real nitty gritty actors, with the exception of Timothy Dalton (who, after Connery, is my favorite Bond).
Peter:
Yeah, I know. I was trying to have fun while squeezing in some substance that would be new to some readers (the Reacher trailer, the Mike Hammer deal, and the long-swirling rumors about Matt Helm and the Destroyer). Substance pretty much means I’m disqualified from Variety.
I also couldn’t remember the abbreviations they use in the trade, and didn’t feel like reading that stuff to remind myself. I did think about it.
I should have remembered to throw in some alliteration, though! “Macho men make mucho money???”
How about “Fictional Fan-Favorites forcibly fascinate fervent film-goers”?
Probably over the top, I know.
Dave, I saw the first Daniel Craig Bond movie, and you’re right. He’s a pretty good actor.
Think of the scene in Butcher’s Moon where Grofield almost dies. Can you imagine Jason Statham playing that scene? He’d turn into standard I’ll-get-the-guy-who-shot-my-buddy stuff. I could picture Daniel Craig playing the scene, though, or maybe Lee Marvin. And how would Robert Ryan have been playing Parker?
Trent: “Macho men make mucho money” is pretty good.
=======================================
Detectives Beyond Borders
“Because Murder Is More Fun Away From Home”
http://detectivesbeyondborders.blogspot.com
Changing the subject (kinda), speaking of Daniel Craig, the sequel to the novel “Layer Cake” was just released. I picked up – but haven’t read yet – “Viva La Madness” by J.J. Connolly. The first novel was excellent so I’m looking forward to this one.
I vaguely remember seeing Layer Cake on Cable years ago but can’t remember much about it. I honestly didn’t even know it was based on a book; I’ll have to check that out. Thanks for the heads-up, Spoonman!
Welcome, Yvette. I have read and reviewed all of the Reacher books. Seemed to me that the new one was bteetr than 61 HOURS and WORTH DYING FOR. Though I wasn’t impressed by the little bit of his brother, I did like the use of Frances Neagley.The sex scenes bored me and I have explained again my issue on the time deal. Still, overall, I thought it was bteetr than last year’s efforts and worth reading.
Peter, Robert Ryan’s name has popped up quite a few times in “What If” Parker dream casting posts. As has Robert Mitchum, Sterling Hayden, and a personal favorite of mine, William Smith. No, not the Fresh Prince of Bel-Air Wil Smith, but the character actor who co-starred with Nick Nolte in Rich Man Poor Man and co-starred with Rod Taylor in Darker Than Amber.
He’s probably best known for the Clint Eastwood film Any Which Way You Can. In all three films Smith and his co-star have epic fistfights. The one in Amber is said to have been a real fight. It started as a choreographed fight, but someone actually hit someone else (both actors remember the thing differently as to who “started” it) and it became a bona fide fistfight.
Smith is large, muscular and is a decent actor. He would have made a perfect Parker circa 1970. Heck, maybe even into the 80’s. Even now he’s incredibly fit and looks like he could handle himself and he’s almost 80. I’ll link a page where he discusses his epic battles and you can see by the photos how big and menacing he was/is. In this post dedicated to “macho men” Smith is probably as close to the real thing as you can get.
http://bzfilm.com/talks-interviews/william-smith-my-fight-with-clint-eastwood-was-the-longest-two-man-fight-scene-on-screen/
Thanks. There’s yet another actor of the same name: Will Smith, who plays Phil Smith on the excellent British political comedy show The Thick of It and is also one of the show’s writers.
Sterling Hayden and Mitchum might have made good Parkers in movies based on the novels where Westlake was trying to do new things with the character, maybe show hints of vulnerability. But for the icy, scary early Parker. it’s Robert Ryan all the way, unless this Smith guy can really bring it.
=======================================
Detectives Beyond Borders
“Because Murder Is More Fun Away From Home”
http://detectivesbeyondborders.blogspot.com
I think Eastwood himself would have been a great Parker in the 70’s. He is big enough, tough enough, shaggy enough and has that ugly/handsome combo going for him. Imagine if there had been a series of Parker films instead of Dirty Harry (although I love Dirty Harry). That surly Harry Callahan persona would have been perfect for Parker as well.
Coming in late again … going to try and catch up with some of these comments.
TRENT … All the silly speculation is right up entertainment “journalism’s” alley. The writers of all those pieces, in their desire to sound informed or sound “insider”, start doling out speculations that have little basis in reality. As if they think of something, decide “Yeah, that sounds good to me,” and then write it into the article. Use this flaccid style of writing to fatten your bank account, but don’t let it ruin your authentic authorial voice.
ALSO, Dave … LIAM NEESON starred in DARKMAN, and a few other films that required some physical action from him.
ROBERT RYAN … He would have been a great choice. And that scene in BUTCHER’S MOON … He could have pulled that off brilliantly, portraying the internal conflict between abandoning Grofield and deciding to come to his aid.
Eastwood is an interesting choice, Cluelo. I thought at one point he’d make a great Travis McGee, since at 6’4″ and a lanky 200 or so pounds he’s the same size as Travis. Especially in Play Misty For Me. But I think Trav simply talks to much for Clint to play him. Parker… Maybe.
Again, I know I’m like a broken record, but Ray Stevenson from Punisher: War Zone and that old HBO series Rome is a great choice for Parker. Bug, somewhat scary, and most importantly he can act.
Of course, he’s English, so that may make him less than perfect for Trent, but Stevenson CAN do an authentic American accent.
One of these days, I’m going to put up a “Fantasy Parker” bracket. I’m on the Robert Mitchum side, but there are a lot of merits to everyone suggested.
Rich: Glad you like the authentic voice! This one was just me screwing around, but, unlike a lot of the entertainment press, it has a reasonable basis in reality. All of these projects have been talked about, and I genuinely believe that if the Reacher and Parker projects are successful, we’re going to see a lot of greenlighting, most definitely including the Development Hell projects I mentioned.
And I think Liam Neeson would have been a great Parker, and I’m reasonably sure the success of Taken is the reason there’s another attempt to put Parker on screen, and a first stab at Reacher.
Dammit, I still plan on directing an all-Dwarf version of The Handle if I ever win the Powerball. And if I can get the rights, of course.;-) lol
Dave:
I’ve got no problem with an Englishman or anyone else playing Parker, so long as he can do American. It’s acting, after all.
Macaulay Culkin as Harry Potter would be jarring, or Clint Eastwood as James Bond. Some characters are tied to where they’re from, and I think Parker is one of those. But if a younger Clint could pull off a British accent (and maybe he could; he seems to be good at everything else), hand him a Walther PPK and call him 007.
In the immortal words of Jon Lovitz, “Acting!”
I know of 4 Americans offered the role of 007. Eastwood and Burt Reynolds after Connery quit (they both declined because they thought an Englishman should play the part). John Gavin, who played Janet Leigh’s boyfriend in Psycho, was signed to replace George Lazenby, before Connery came back into the fold, and James Brolin, Josh Brolin’s dad was a hair away from playing Bond in Octopussy before Moore decided to return to the role.
Reynolds is a ridiculous choice. Eastwood–don’t think he could pull off the suave and cultured aspect of Bond. The other two, maybe. James Brolin’s screen test is on Youtube; I’ll link it below.
Ha! If I ever put blurbs on the site, I’m going to use “Reynolds is a ridiculous choice,” ridiculously out of context.
Out of all the “what-if” actors mentioned, Bronson came the closest to playing Parker, in an adaptation of BUTCHER’S MOON that was to be directed by Michael Winner. Opposite James Coburn as Grofield, Bronson would have been, IMHO, ideal casting.
Totally agree that Bronson would have made a wonderful Parker. Coburn–not so sure about that one. Anthony Perkins would have been a better pick maybe. Coburn is a trifle too hard-looking. I think Grofield’s toughness is more of a hidden asset.
Although I could see why you’d want Bronson to ream up with Coburn again–they were excellent in Hard Times.
James Coburn … not my idea of Parker … although he was pretty tough (and not too charming) in CHARADE. There was potential …
Going back a way to Spoonman’s comment, I read J.J. Connolly’s Viva la Madness recently, and I strongly recommend it. The story, a twisted tale of English thugs crossing paths with hardcore South American drug traffickers, takes place in the late summer 2001 and culminates in you-know-what historical event. It’s a crime story, sure, but it’s also a snapshot of a crime culture so insane that even tough guys run for cover.
As for the Parker movie trailer, you can check out my reaction here:
http://weeklyrot.wordpress.com/2012/11/02/parker-movie-trailer-irks-this-parker-fan/
Thanks for the link, Dave. Sent it out over Twitter, so it will appear in the weekly news roundup.
Good post, Dave, but as I stated in the comment I left on your site, I hardly consider Point Blank the quintesential Parker film. His following Lynn on the boardwalk, all misty-eyed and goof-ily in love, and his allowing John Vernon to push him to the floor at what looks like a College reunion–Parker in College? Hell no–and plant a big gooey smooch on him as are Parker-Like as a Justin Bieber video.
There really hasn’t been a quintessential Parker movie yet.
And you kind of shot yourself in the foot when you bitched about Statham saying the “code” nonsense in the trailer then you include panels from Cooke’s work that totally makes what Statham does in the trailer make sense. Per Cooke’s panels: when he’s on a job, he takes into consideration the victim’s psychological state, and Stathams reassuring a crowd of scared spitless victims that nobody would get hurt if they didn’t “deserve” it is totally in accordance to Cooke’s panels. Actually, Statham saying those lines is kind of creepy, making one wonder how one could “deserve” Parker’s wrath!;-) lol
As we all know, you ‘deserve’ to get hurt if you get in Parker’s way. Whether it’s accidental, like the dead hair stylist in The Hunter, or on purpose, like Ross from Flashfire. You don’t get in between Parker and whatever it is that he wants, whether it’s money, revenge, or both. If you do, you get what you ‘deserve.’
Yeah, that’s what makes Statham’s speech eerie, no? It could be perceived by those who don’t know Parker that he’s calming the crowd but in reality we know Parker judges who deserves to get hurt not on a moral basis but on a you’re-in-my-way basis.;-) lol