“The best Richard Stark ever.”
–PAUL KAVANAUGH, author of SUCH MEN ARE DANGEROUS
When he’s not pulling heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin, which is why Grofield agrees to listen to Andrew Myers’ plan to knock over a brewery. Unfortunately, Myers’ plan is insane – so Grofield walks out on him. And you don’t walk out on Myers…
The first three Alan Grofield adventures (The Damsel, The Dame, and The Blackbird) seemed to take place in a universe entirely separate from Parker’s, save for the character’s name and the references to the Parker novels. As I wrote about The Damsel, “the Violent World of Parker doesn’t seem so grim anymore.” That continued with the next two in the series.
With Lemons Never Lie, the light that had crept into the Parker universe is extinguished with a bang, several more bangs, and quite a few stabs. Grofield and his fellow pro Dan Leach walk out of a job-planning meeting in Las Vegas because the proposal is insane and the proposer, Andrew Myers, may well be. Attempting to make the best of things, Leach hits the tables and does quite well for himself. Unfortunately, Myers notices and rips off Leach, which sets into motion a chain of events that gets bloodier and bloodier and bloodier.
Stark makes a couple of interesting creative choices in Lemons Never Lie. The first is that Grofield is a much more serious person. This makes sense as the novel progressively gets darker, but even at the beginning, the smart-assery and wisecracks that were Grofield’s stock in trade are gone.
The second is that much of the action takes place off-camera, somewhat like the bank heist in Quentin Tarantino’s Reservoir Dogs. Some may be disappointed that a couple of possible set pieces don’t unfold in front of the reader, but I found the technique to be quite effective.
Lemons Never Lie is a first-rate Richard Stark novel. It’s a shame that, after finally writing a Grofield solo adventure that all of his readers would enjoy, Stark never wrote another. Maybe he decided that he could never do better than this. If so, he was probably right. Alan Grofield goes out on top.
Warning: Declaration of Social_Walker_Comment::start_lvl(&$output, $depth, $args) should be compatible with Walker_Comment::start_lvl(&$output, $depth = 0, $args = Array) in /home/violentw/www/www/wp-content/plugins/social/lib/social/walker/comment.php on line 18
Warning: Declaration of Social_Walker_Comment::end_lvl(&$output, $depth, $args) should be compatible with Walker_Comment::end_lvl(&$output, $depth = 0, $args = Array) in /home/violentw/www/www/wp-content/plugins/social/lib/social/walker/comment.php on line 42
PAUL KAVANAUGH is a pseudonym of Lawrence Block.
I found each of the Grofield books to be Stark’s take on a different genre popular among men.
“The Damsel” is a straight-up adventure novel, seemingly modeled on stories that appeared in men’s magazines at the time. “The Dame” is a pure drawing-room mystery. “The Blackbird” is a James-Bondian espionage thriller. And “Lemons Never Lie” is a Parker-esque heist novel — the only book in the series that feels like it’s a part of Parker’s world.
I think many Parker readers’ dissatisfaction with the series might stem from the fact that they’re only fans of that last genre (though, admittedly, that is the genre Stark seems most comfortable with).
Grofield was a great character, but I think he got a better showcase as a supporting player in the Parker novels. I wish Stark had brought him back at least once when he resurrected the Parker series.
Grofield’s relationship with Parker was fascinating. He’s the only person (besides Claire) that Parker seems to give a damn about, and Parker repeatedly goes out of his way to rescue Grofield from harm. Yes, Parker always throws up a practical, unsentimental reason for the rescues, but I never quite believe him. Parker just likes Grofield, which is very interesting.
I remember an interview dated a few years before Westlake passed away where he mentioned he was going to bring back Grofield after he finished the trilogy of the last three Parker books.